{"id":267,"date":"2024-03-06T14:30:56","date_gmt":"2024-03-06T05:30:56","guid":{"rendered":"https:\/\/heejeongjeong.com\/?page_id=267"},"modified":"2026-06-30T09:06:26","modified_gmt":"2026-06-30T00:06:26","slug":"cv","status":"publish","type":"page","link":"https:\/\/heejeongjeong.com\/?page_id=267","title":{"rendered":"CV"},"content":{"rendered":"\n


H<\/strong>eejeong Jeong
Korean media artist exploring landscape, memory, and the relationship between place and lived experience through video, photography, installation, and walking-based research.<\/p>\n\n\n\n

grinnavi@naver.com<\/p>\n\n\n\n

Education<\/strong>
M.F.A. in Digital Media Design, Hongik University, International Design School for Advanced Studies (IDAS), Seoul, Korea, 2008
Multimedia Program, Kaywon School of Art & Design, Uiwang, Korea, 2000
B.F.A. in Fine Arts, Jeonju University, Jeonju, Korea, 1998<\/p>\n\n\n\n

Solo Exhibitions<\/strong>
2024 Song of the Wind, Space 1986 Multibunker, Gyeonggi Sangsang Campus, Suwon, Korea
2021 Blindscape, Gosaek Newseum, Suwon, Korea
2021 The Real Grows Like a Snowball, Seongbuk Cultural Foundation, Seoul, Korea
2019 Phantasmagoria, Seoul City Hall Sky Plaza Gallery, Seoul, Korea
2016 Paper Moon, Pyeongchon Arts Hall, Anyang, Korea
2016 Personal Theater, I-GONG Alternative Visual Culture Factory, Seoul, Korea
2016 A Sudden Ecstasy, Gallery Space 22, Seoul, Korea
2013 Song of Green Mountain, Pyeongchon Arts Hall, Anyang, Korea
2013 Night and Day, Kwanhoon Gallery, Seoul, Korea<\/p>\n\n\n\n

Selected Group Exhibitions<\/strong>
2025 CYFEST 16: Archive of Feelings \u2013 A Journey, Centro de Cultura Digital, Mexico City, Mexico
2025 Self Portrait, FemLink-Art, L\u00c1 Art Museum, Hverager\u00f0i, Iceland
2024 CYFEST 16: Archive of Feelings \u2013 A Journey, Yerevan, Armenia
2024 Zero-Compromise, Artnoid178, Seoul, Korea
2024 Magic, L\u00c1 Art Museum, Hverager\u00f0i, Iceland
2024 Naked Island, VIDEOFORMES Festival, Clermont-Ferrand, France
2023 Turn Together on the Waterway, Yeonorang Seonyeo Park, Pohang Cultural Foundation, Pohang, Korea
2023 Equilibrium, Palbok Art Factory, Jeonju, Korea
2023 Summer Love, Ghasong Art Award Exhibition, Insa Art Center, Seoul, Korea
2023 Chance to Meet Unexpected Encounters, Palbok Art Factory, Jeonju, Korea
2022 Escape from the Earth, Feminism Art Festival, Jeonju, Korea
2022 Log-in, Palbok Art Factory, Jeonju, Korea
2021 4 PM \u2013 The Mystery of One Day, Bunker A, Seoul, Korea
2021 Artrification, Space On, Seoul, Korea
2021 The 6th New Artist Exhibition, POSCO Art Museum, Seoul, Korea
2020 First Adventure: Fl\u00e2neur on Sunset, Sejong Tower, Sejong, Korea
2020 UPCLOSE, M Contemporary, Seoul, Korea
2020 ON TACT 2020, Gyeonggi Sangsang Campus, Suwon, Korea
2020 Art Gyeonggi \u00d7 Art Road 77, Heyri Art Village, Paju, Korea
2020 Walk into the Worn Path, 4log Art Space, Seoul, Korea
2020 The Show Must Go On, Art Gyeonggi Online Project
2019 20th Gwangju Shinsegae Art Festival, Gwangju Shinsegae Gallery, Gwangju, Korea
2019 RE:4WALLS, Asia Culture Center (ACC), Gwangju, Korea
2018 A Bizarre Scene, Seongbuk Young Art Space, Seoul, Korea
2018 Black Sun White Well, Space O, Seoul, Korea
2018 Sharing ART, Gallery Jaha, Seoul, Korea
2017 Urban Odysseus, Seoul Innovation Park, Seoul, Korea
2016 Anyang Salon, Pyeongchon Arts Hall, Anyang, Korea
2015 Time Collector, Gyeonggi Museum of Modern Art, Ansan, Korea
2015 Anyang, Space of Memory, Kim Chung-up Architecture Museum, Anyang, Korea
2006 Unreal and Real, Leeum Museum Media Lounge, Seoul, Korea
1999 Happy and Blue, Art Space Pool, Seoul, Korea
1999 BMongSaMong, Kaywon School of Art & Design Cultural Center, Icheon, Korea<\/p>\n\n\n\n

Selected Screenings<\/strong>
2026 Dream’s Navel, 26th Seoul International ALT Cinema & Media Festival (NeMaf), Official Selection, Seoul, Korea
2025 Event Horizon, 25th Seoul International ALT Cinema & Media Festival, Seoul, Korea
2025 Dream’s Navel, VIDEOFORMES Festival, Clermont-Ferrand, France
2023 Naked Island, 23rd Seoul International New Media Festival, Seoul, Korea
2023 House of Wind, The New Museum of Networked Art, Berlin \/ Cologne \/ Los Angeles
2023 Naked Island, VIDEOFORMES Festival, Clermont-Ferrand, France
2020 Night Flight, Seoul-lo Media Canvas, Seoul, Korea
2020 Flesh and Mirror, 20th Seoul International ALT Cinema & Media Festival (NeMaf), Seoul, Korea
2017 Red Room, 17th Seoul International ALT Cinema & Media Festival (NeMaf), Audience Award, Seoul, Korea
2004 Subway, Seoul Net & Film Festival, Seoul, Korea
2003 My Room, Indie Video Festival, Seoul, Korea
2003 My Room, Jeonju International Film Festival (JIFF), Jeonju, Korea
2002 A Fish Globe, Indie Video Festival, Ilju Art House Art Cube, Seoul, Korea<\/p>\n\n\n\n

Selected Industry Platforms<\/strong><\/h3>\n\n\n\n

2026<\/strong> NewImages Festival Industry Days, Paris, France
Participation supported by Art Korea Lab Global Distribution Support Program<\/strong>, Korea<\/p>\n\n\n\n

Residencies<\/strong>
2026 Tynset AIR \u2013 Land Art as Narrative, Tynset, Norway (upcoming)
2025 Tenjinyama Art Studio Residency, Sapporo, Japan
2022 Palbok Art Factory Residency, Jeonju, Korea<\/p>\n\n\n\n

Selected Projects<\/strong>
2025 The House of Others, Tenjinyama Art Studio Residency, Sapporo, Japan
2020 Village Shop Museum, Public Art Project, Seoul, Korea
2014 Between Art and Home, APAP Open House, Anyang, Korea
2010 Intermedia Performance & Collaboration, Sangmyung University, Seoul, Korea
2007 The Art of Listening, Insa Art Space, Arts Council Korea, Seoul, Korea
2001 Flying City, Urbanism Public Art Project, Seoul, Korea
2001 Blind Sound, Alternative Space LOOP, Seoul, Korea<\/p>\n\n\n\n

Awards<\/strong>
2017 Audience Award, Red Room, 17th Seoul International ALT Cinema & Media Festival (NeMaf)
2012 Orange Tulip Scholarship, Nuffic Neso Korea<\/p>\n\n\n\n

Publications<\/strong>
2013 Song of Green Mountain, Photo Book
Supported by Anyang Foundation for Culture and Arts<\/p>\n\n\n\n

Collections<\/strong>
Asia Culture Center (ACC), Gwangju, Korea<\/p>\n\n\n\n

<\/p>\n\n\n\n

\uc815\ud76c\uc815<\/strong><\/p>\n\n\n\n

grinnavi@naver.com<\/p>\n\n\n\n

\ud559\ub825<\/strong>
2008 \ud64d\uc775\uad6d\uc81c\ub514\uc790\uc778\uc804\ubb38\ub300\ud559\uc6d0 IDAS \ub514\uc9c0\ud138\ubbf8\ub514\uc5b4\ub514\uc790\uc778 \uc804\uacf5 \uc11d\uc0ac \uc878\uc5c5
2000 \uacc4\uc6d0\uc870\ud615\uc608\uc220\ub300\ud559 \uba40\ud2f0\ubbf8\ub514\uc5b4 \uacfc\uc815 \uc218\ub8cc
1998 \uc804\uc8fc\ub300\ud559\uad50 \ubbf8\uc220\ud559\uacfc \ud559\uc0ac \uc878\uc5c5<\/p>\n\n\n\n

\uac1c\uc778\uc804<\/strong>
2024 [\ubc14\ub78c\uc758 \ub178\ub798] \uacf5\uac041986 \uba40\ud2f0\ubc99\ucee4, \uacbd\uae30\uc0c1\uc0c1\ucea0\ud37c\uc2a4, \uc218\uc6d0
2021 [\ub208\uba3c \ud48d\uacbd BLINDSCAPE] \uace0\uc0c9\ub274\uc9c0\uc5c4, \uc218\uc6d0
2021 [\uc2e4\uc7ac\ub294 \ub208\ub369\uc774\ucc98\ub7fc \ubd88\uc5b4\ub09c\ub2e4] \uc7a5\uc704\ub3d9 \ube48\uc9d1, \uc11c\uc6b8
2019 [\ud310\ud0c0\uc2a4\ub9c8\uace0\ub9ac\uc544] \uc11c\uc6b8\uc2dc\uccad \ud558\ub298\uad11\uc7a5\uac24\ub7ec\ub9ac, \uc11c\uc6b8
2016 [\uc885\uc774\ub2ec Paper Moon]\ud3c9\ucd0c\uc544\ud2b8\ud640, \uc548\uc591
2016 [\uac1c\uc778\uadf9\uc7a5] \ubbf8\ub514\uc5b4\uadf9\uc7a5 \uc544\uc774\uacf5, \uc11c\uc6b8
2016 [\ub3cc\uc5f0\ud55c \ud669\ud640\uacbd] \uc2a4\ud398\uc774\uc2a422, \uc11c\uc6b8
2013 [\uccad\uc0b0\ubcc4\uace1]\ud3c9\ucd0c\uc544\ud2b8\ud640, \uc548\uc591
2013 [\ubc24\uacfc \ub0ae] \uad00\ud6c8\uac24\ub7ec\ub9ac, \uc11c\uc6b8<\/p>\n\n\n\n

\uadf8\ub8f9\uc804<\/strong>
2025 Cyfest 16: Archive of Feelings. A Journey, Centro de Cultura Digital, Mexico City
2025 Self Portrait \/ Femlink , L\u00c1 Art Museum, , Hveragerdi, \uc544\uc774\uc2ac\ub780\ub4dc
2024 [Cyfest 16: Archive of Feelings. A Journey] Yerevan, Armenia
2024 [Zero-Compromise] \uc544\ud2b8\ub178\uc774\ub4dc178, \uc11c\uc6b8, \ud55c\uad6d
2024 [Magic] L\u00c1 ART MUSEUM, Hveragerdi,\uc544\uc774\uc2ac\ub780\ub4dc
2024 [Naked Island] VIDEOFORMS FESTIVAL 2024, \ub04c\ub808\ub974\ubabd\ud398\ub791, \ud504\ub791\uc2a4
2023 [\ubb3c\uae38\uc5d0\uc11c \ud568\uaed8 \ud134] \uc5f0\uc624\ub791\uc138\uc624\ub140\ud14c\ub9c8\uacf5\uc6d0, \ud3ec\ud56d, \ud3ec\ud56d\ubb38\ud654\uc7ac\ub2e8
2023 [\uc774\ud03c\ub9ac\ube0c\ub9ac\uc5c4: \uc778\uac04\uacfc \ud658\uacbd\uc758 \uacbd\uacc4\uc5d0\uc11c], \ud314\ubcf5\uc608\uc220\uacf5\uc7a5, \uc774\ud31d\ub098\ubb34\ud640, \uc804\uc8fc, \uc804\uc8fc\ubb38\ud654\uc7ac\ub2e8, \uad6d\ub9bd\uc544\uc2dc\uc544\ubb38\ud654\uc804\ub2f9\uc7ac\ub2e8
2023 [\uc5ec\ub984\uc0dd\uc0c9] \uac00\uc1a1\uc608\uc220\uc0c1, \uc778\uc0ac\uc544\ud2b8\uc13c\ud130, \uc11c\uc6b8
2023 [\uc6b0\uc5f0\uc758 \uc2dc\ucc28] \ud314\ubcf5\uc608\uc220\uacf5\uc7a5, \uc804\uc8fc
2022 [\uc9c0\uad6c\ud0c8\ucd9c] 2022\ub144 \uc81c3\ud68c \ud398\ubbf8\ub2c8\uc998 \uc608\uc220\uc81c, \uc804\uc8fc
2022 [\ub85c\uadf8\uc778 Log-\u4eba \uc804] \ud314\ubcf5\uc608\uc220\uacf5\uc7a5, \uc804\uc8fc
2021 \uc624\ud6c4 4\uc2dc-\uc5b4\ub290 \ub0a0\uc758 \uc218\uc218\uaed8\ub07c, A\ubc99\ucee4, \uc11c\uc6b8
2021 \ub2e4\ube48\uce58 \ub514\uc790\uc778 \uc2a4\ud398\uc774\uc2a4, \uae40\ub300\uc911 \ucee8\ubca4\uc158\uc13c\ud130, \uad11\uc8fc
2021 \uc544\ud2b8\ub9ac\ud53c\ucf00\uc774\uc158, \uc628\uc218\uacf5\uac04, \uc11c\uc6b8
2021 6\ud68c \ud3ec\uc2a4\ucf54\ubbf8\uc220\uad00 \uc2e0\uc9c4\uc791\uac00 \uacf5\ubaa8\uc804, \ud3ec\uc2a4\ucf54 \ubbf8\uc220\uad00, \uc11c\uc6b8
2020 \uc11c\uc6b8\ub85c \ubbf8\ub514\uc5b4\uce94\ubc84\uc2a4, \ub9cc\ub9ac\ub3d9\uad11\uc7a5\uc55e \uc11c\uc6b8\ub85c\ubbf8\ub514\uc5b4\uce94\ubc84\uc2a4, \uc11c\uc6b8
2020 [\ucd5c\ucd08\uc758 \ubaa8\ud5d8 \ub178\uc744\uae38 \uc0b0\ucc45\uc790] \uc138\uc885\ud0c0\uc6cc, \uc138\uc885
2020 [\uc5c5\ud074\ub85c\uc988 UPCLOSE ] M\ucee8\ud15c\ud3ec\ub7ec\ub9ac, \uc11c\uc6b8
2020 \uc628\ud0dd\ud2b8 \uc544\ud2b8\uacbd\uae30 2020, \uacbd\uae30\uc0c1\uc0c1\ucea0\ud37c\uc2a4, \uc218\uc6d0
2020 \uc544\ud2b8\uacbd\uae30X\uc544\ud2b8\ub85c\ub4dc77 , \ud5e4\uc774\ub9ac \uc608\uc220\ub9c8\uc744, \ud30c\uc8fc
2020 [\ubb34\ub2e8\uc0b0\ucc45] 4log art space, \uc11c\uc6b8
2020 \uc544\ud2b8\uacbd\uae30 ‘\uc774\uad11\uae30\uc758 \uc628\uc624\ud504\ub77c\uc778 \uc544\ud2b8\uc1fc- The Show Must Go On’
2019 [\u03c6 \u03c6 \u03c6\uc544\ud2b8\ud398\uc5b4 2 \u03c619] \uc2e0\ucd0c\ubc15\uc2a4\ud018\uc5b4, \ub300\uc548\uc601\uc0c1\ubb38\ud654\ubc1c\uc804\uc18c \uc544\uc774\uacf5
2019 20\ud68c \uad11\uc8fc\uc2e0\uc138\uacc4\ubbf8\uc220\uc81c\uc120\uc815\uc791\uac00\u5c55. \uad11\uc8fc\uc2e0\uc138\uacc4\uac24\ub7ec\ub9ac, \uad11\uc8fc
2019 RE:4WALLS , \uad6d\ub9bd\uc544\uc2dc\uc544\ubb38\ud654\uc804\ub2f9 \ubbf8\ub514\uc5b4\uc6d4, \uad11\uc8fc
2018 \uc544\ud2b8\uc544\uc2dc\uc544, \uacbd\uae30\ub3c4 \uace0\uc591\uc2dc \ud0a8\ud14d\uc2a4 \uc81c1\uc804\uc2dc\uc7a5, \uace0\uc591
2018 \uc544\uc774\uacf5 \ube44\ub514\uc624 \uc1fc\ucf00\uc774\uc2a4 \ub9c8\ucf13, \uc11c\ub300\ubb38 \uc5ec\uad00
2018 2018 \uc544\ud2b8\uacbd\uae30, \ud310\uad50 \uc544\ube0c\ub274\ud504\ub791(\ud310\uad50), \uacbd\uae30\ub3c4 \uc774\ucc9c \ub3c4\uc790\uc13c\ud130 (\uc774\ucc9c)
2018 [\uc5c6\ub294 \ud48d\uacbd A bizarre scene \uc804], \uc131\ubd81\uc608\uc220\ucc3d\uc791\ud130, \uc11c\uc6b8
2018 [Sharing ART 1\uae30 \uacf5\ubaa8\uc120\uc815 \uadf8\ub8f9\uc804], \uc790\ud558\uac24\ub7ec\ub9ac, \uc11c\uc6b8
2017 [\uc5b4\ubc18 \uc624\ub514\uc138\uc6b0\uc2a4 Urban Odysseus] \uc11c\uc6b8\ud601\uc2e0\ud30c\ud06c \uc608\uc220\ub3d9, \uc11c\uc6b8
2016 [\uc548\uc591\uc0b4\ub871]\uc804, \ud3c9\ucd0c\uc544\ud2b8\ud640\uc544\ud2b8\ub9bc\/\uc548\uc591\uc544\ud2b8\uc13c\ud130, \uc548\uc591
2015 [\uc2dc\uac04\uc218\uc9d1\uc790 Time Collector] 2015 \uc0dd\uc0dd\ud654\ud654, \uacbd\uae30\ub3c4 \ubbf8\uc220\uad00, \uc548\uc0b0
2015 [\u5b89\u990a \uae30\uc5b5\uc758 \uacf5\uac04], \uae40\uc911\uc5c5 \uac74\ucd95\ubc15\ubb3c\uad00, \uc548\uc591
2006 [Unreal and Real] \ud64d\uc775\uad6d\uc81c\ubbf8\ub514\uc5b4\ub514\uc790\uc778\ub300\ud559IDAS \uadf8\ub8f9\uc804, \ub9ac\uc6c0 \ubbf8\uc220\uad00, \uc11c\uc6b8
1999 [\ud589\ubcf5\ud55c \ud478\ub978, Happy and Blue] \uc804, \ub300\uc548\uacf5\uac04 \ud480 , \uc11c\uc6b8
1999 [BMongSaMong “dream of beauty \/ dream of death”]\uba40\ud2f0\ubbf8\ub514\uc5b4 \ud37c\ud3ec\uba3c\uc2a4,\uc774\ucc9c\uacf5\uc7a5\ubbf8\uc220\uc81c, \uc774\ucc9c<\/p>\n\n\n\n

\uc0c1\uc601<\/strong>
2025 \uc0ac\uac74\uc758 \uc9c0\ud3c9\uc120 Event Horizon, 25\ud68c \uc11c\uc6b8\uad6d\uc81c\ub300\uc548\uc601\uc0c1\uc608\uc220\ud398\uc2a4\ud2f0\ubc8c, \uc11c\uc6b8
2025 \uafc8\uc758 \ubc30\uaf3d, VIDEOFORMS FESTIVAL 2025, \ub04c\ub808\ub974\ubabd\ud398\ub791, \ud504\ub791\uc2a4
2023 \ubc8c\uac70\ubc97\uc740 \uc12c, 23\ud68c \uc11c\uc6b8\uad6d\uc81c\ub274\ubbf8\ub514\uc5b4\ud398\uc2a4\ud2f0\ubc8c, \uc0c1\uc0c1\ub9c8\ub2f9 \uc2dc\ub124\ub9c8, \uc11c\uc6b8
2023 \ubc14\ub78c\uc758 \uc9d1, The New Museum of Networked Art, \ud1a0\ub80c\uc2a4 \ubba4\uc9c0\uc5c4, \ub85c\uc2a4\uc5d4\uc824\ub808\uc2a4
2023 \ubc8c\uac70\ubc97\uc740 \uc12c, VIDEOFORMS FESTIVAL 2023, \ub04c\ub808\ub974\ubabd\ud398\ub791, \ud504\ub791\uc2a4
2020 \uc57c\uac04\ube44\ud589, \uc11c\uc6b8\ub85c \ubbf8\ub514\uc5b4\uce94\ubc84\uc2a4, \uc11c\uc6b8
2020 \uc0b4\uacfc \uac70\uc6b8, 20\ud68c \uc11c\uc6b8\uad6d\uc81c\ub300\uc548\uc601\uc0c1\uc608\uc220\ud398\uc2a4\ud2f0\ubc1c, \uba54\uac00\ubc15\uc2a4 \ud64d\ub300, \uc11c\uc6b8
2018 \uac80\uc740\ud0dc\uc591 \ud558\uc580\uc6b0\ubb3c, 18\ud68c \uc11c\uc6b8\uad6d\uc81c\ub274\ubbf8\ub514\uc5b4\ud398\uc2a4\ud2f0\ubc8c, \uc2a4\ud398\uc774\uc2a4\uc624, \uc11c\uc6b8
2017 \ubd89\uc740\ubc29, 17\ud68c \uc11c\uc6b8\uad6d\uc81c\ub274\ubbf8\ub514\uc5b4\ud398\uc2a4\ud2f0\ubc8c, \uc11c\uad50\uc608\uc220\uc2e4\ud5d8\uc13c\ud130, \uc11c\uc6b8
2004 Subway , \uad6d\uc81c\uc11c\uc6b8\uc601\ud654\uc81c Seoul Net & Film Festival , \uc11c\uc6b8
2003 \uadf8\ub140\uc758 \uc120\ud0dd, 3\ud68c \uc778\ub514\ube44\ub514\uc624 \ud398\uc2a4\ud2f0\ubc8c, \uc11c\uc6b8
2003 My Room, \uc804\uc8fc\uad6d\uc81c\uc601\ud654\uc81c, \uc804\uc8fc
2002 A fish globe, 2\ud68c \uc778\ub514\ube44\ub514\uc624 \ud544\ub984\ud398\uc2a4\ud2f0\ubc1c, \uc77c\uc8fc\uc544\ud2b8\ud558\uc6b0\uc2a4 \uc544\ud2b8\ud050\ube0c, \uc11c\uc6b8<\/a><\/p>\n\n\n\n

\uc120\uc815 \uc0b0\uc5c5 \ud50c\ub7ab\ud3fc \/ \ub7a9<\/strong>
2026 \ub274\uc774\ubbf8\uc9c0 \ud398\uc2a4\ud2f0\ubc8c \uc778\ub354\uc2a4\ud2b8\ub9ac \ub370\uc774\uc988, \ud30c\ub9ac, \ud504\ub791\uc2a4
(\uc544\ud2b8\ucf54\ub9ac\uc544\ub7a9 \uae00\ub85c\ubc8c \uc720\ud1b5\uc9c0\uc6d0 \ud504\ub85c\uadf8\ub7a8 \uc9c0\uc6d0 \ucc38\uc5ec)<\/p>\n\n\n\n

\ud504\ub85c\uc81d\ud2b8<\/strong>
2025 \ud0c0\uc778\uc758 \uc9d1, \ud150\uc9c4\uc57c\ub9c8 \uc544\ud2b8 \ub808\uc9c0\ub358\uc2dc, \uc0ac\ud3ec\ub85c, \uc77c\ubcf8
2020 \uc11c\uc6b825\ubd80\uc791, \uc11c\uc6b8\uc2dc-\ubb38\uccb4\ubd80 \uacf5\uacf5\ubbf8\uc220 \ud504\ub85c\uc81d\ud2b8, \uc11c\uc6b8
2020 [\ub9c8\uc744\uac00\uac8c\ubbf8\uc220\uad00] \ub300\uc548\uc601\uc0c1\uc608\uc220\uacf5\uacf5\ud504\ub85c\uc81d\ud2b8, \uc11c\uc6b8
2014 [\uc608\uc220\uacfc \uc548\ubc29 \uc0ac\uc774] APAP \uc624\ud508 \ud558\uc6b0\uc2a4, \uc548\uc591
2010 [Intermedia performance & collaboration] \uc0c1\uba85\ub300, \uc11c\uc6b8
2007 [\uccad\ucde8\uc758 \uae30\uc220]\uc778\uc0ac\ubbf8\uc220\uacf5\uac04, \uc11c\uc6b8
2001 [\ud50c\ub77c\uc789 \uc2dc\ud2f0] \ub3c4\uc2dc\uc8fc\uc758 \uc5f0\uad6c\ubaa8\uc784, \uc11c\uc6b8
2001 [\ube14\ub77c\uc778\ub4dc\uc0ac\uc6b4\ub4dc] \ub514\uc9c0\ud138\uc544\ud2b8, \ub300\uc548\uacf5\uac04 \ub8e8\ud504, \uc11c\uc6b8<\/p>\n\n\n\n

\uc218\uc0c1 \ubc0f \uc9c0\uc6d0<\/strong>
2017 [\ubd89\uc740\ubc29] \uad00\uac1d\uad6c\uc560\uc0c1 \uc218\uc0c1 <17\ud68c \uc11c\uc6b8\uad6d\uc81c\ub274\ubbf8\ub514\uc5b4\ud398\uc2a4\ud2f0\ubc8c><\/p>\n\n\n\n

2012 Orange Tulip Scholarship, Nuffic Neso Korea, \uc7a5\ud559\uc0dd<\/p>\n\n\n\n

\uacf5\ubaa8 \uc120\uc815 <\/strong>
2024 \uacbd\uae30\uc0c1\uc0c1\ucea0\ud37c\uc2a4 \uc608\ube44\uc608\uc220\uc778 \ucc3d\uc791 \uc2dc\uc5f0 \uacf5\uac04 \uc9c0\uc6d0 \uc2dc\ubc94\uc0ac\uc5c5 \uc120\uc815, \uc218\uc6d0, \uacbd\uae30\ubb38\ud654\uc7ac\ub2e8
2021 \ub300\uad00\uc9c0\uc6d0 \ud504\ub85c\uadf8\ub7a8 \uc120\uc815, \uace0\uc0c9\ub274\uc9c0\uc5c4
2021 \uc2e0\uc9c4\uc791\uac00 \uc804\uc2dc\uacf5\ubaa8 \uc120\uc815, \ud3ec\uc2a4\ucf54 \ubbf8\uc220\uad00
2020 \ucf54\ub85c\ub09819\uc11c\uc6b8 \uacf5\uacf5\ubbf8\uc220 \u2018100\uac1c\uc758 \uc544\uc774\ub514\uc5b4\u2019\uc804 \uc120\uc815, \uc11c\uc6b8\ubb38\ud654\uc7ac\ub2e8
2020 \uc11c\uc6b8\ub85c \ubbf8\ub514\uc5b4\uce94\ubc84\uc2a4 \uacf5\ubaa8 \uc120\uc815, \uc11c\uc6b8\ud2b9\ubcc4\uc2dc \ubb38\ud654\ubcf8\ubd80 \ub514\uc790\uc778\uc815\ucc45
2019 \uc11c\uc6b8\uc2dc\uccad\ud558\ub298\uad11\uc7a5\uac24\ub7ec\ub9ac \uacf5\ubaa8 \uc120\uc815, \uc11c\uc6b8\uc2dc\uccad
2019 RE:4WALLS \uacf5\ubaa8 \uc120\uc815 , \ubb38\ud654\uccb4\uc721\uad00\uad11\ubd80 \uad6d\ub9bd\uc544\uc2dc\uc544\ubb38\ud654\uc804\ub2f9
2018 \uc131\ubd81\uc804\uc2dc\uc9c0\uc6d0 \ud504\ub85c\uadf8\ub7a8 \uc120\uc815, \uc131\ubd81\uc608\uc220\ubb38\ud654\uc7ac\ub2e8
2018 Sharing ART 1\uae30 \uc804\uc2dc\uacf5\ubaa8 \uc120\uc815, \uc790\ud558\uac24\ub7ec\ub9ac
2016 \uc608.\uc220.\ub3c4.\uac00\u85dd.\u8853.\u90fd.\u5bb6-\u751f\u751f\uc608\uc220\ubaa8\uc885\ubc2d \uacf5\ubaa8 \uc120\uc815, \uc548\uc591\uc608\uc220\ubb38\ud654\uc7ac\ub2e8
2016 \uc544\uc774\uacf5 \uc791\uac00\uacf5\ubaa8 \uc120\uc815, \ubbf8\ub514\uc5b4\uadf9\uc7a5 \uc544\uc774\uacf5
2016 OPEN CALL\uc791\uac00\uacf5\ubaa8 \uc120\uc815, \uc2a4\ud398\uc774\uc2a4 22
2015 \uc0dd\uc0dd\ud654\ud654 : \uacbd\uae30\ubb38\ud654\uc7ac\ub2e8 \uc804\ubb38\uc608\uc220\ucc3d\uc791\ubc1c\ud45c\uc9c0\uc6d0\uc0ac\uc5c5 \uc120\uc815
2013 \uc608.\uc220.\ub3c4.\uac00-\u85dd.\u8853.\u90fd.\u5bb6. \uacf5\ubaa8 \uc120\uc815, \uc548\uc591\uc608\uc220\ubb38\ud654\uc7ac\ub2e8
2013 ARTIST OPEN CALL \uc804\uc2dc\uacf5\ubaa8 \uc120\uc815, \uad00\ud6c8\uac24\ub7ec\ub9ac<\/p>\n\n\n\n

\ub808\uc9c0\ub358\uc2dc<\/strong>
2025 \ud150\uc9c4\uc57c\ub9c8 \uc544\ud2b8\ub808\uc9c0\ub358\uc2dc, \uc0ac\ud3ec\ub85c, \uc77c\ubcf8
2022 \ud314\ubcf5\uc608\uc220\uacf5\uc7a5 \ub808\uc9c0\ub358\uc2dc , \uc804\uc8fc<\/p>\n\n\n\n

\ucd9c\ud310<\/strong>
2013 [\uccad\uc0b0\ubcc4\uace1] \uc0ac\uc9c4\uc9d1 (\uc548\uc591\uc608\uc220\ubb38\ud654\uc7ac\ub2e8 \ud6c4\uc6d0)<\/p>\n\n\n\n

\uc791\ud488\uc18c\uc7a5<\/strong>
\uad6d\ub9bd\uc544\uc2dc\uc544\ubb38\ud654\uc804\ub2f9 ACC, \uad11\uc8fc<\/p>\n\n\n\n

<\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Heejeong JeongKorean media artist exploring landscape, memory, and the relationship between place and lived experience through video, photography, installation, and walking-based research. grinnavi@naver.com EducationM.F.A. in Digital Media Design, Hongik University, International Design School for Advanced Studies (IDAS), Seoul, Korea, 2008Multimedia Program, Kaywon School of Art & Design, Uiwang, Korea, 2000B.F.A. in Fine Arts, Jeonju University, Jeonju, Korea, 1998 Solo Exhibitions2024 Song of the Wind, Space 1986 Multibunker, Gyeonggi Sangsang Campus, Suwon, Korea2021 Blindscape, Gosaek Newseum, Suwon, Korea2021 The Real Grows Like a Snowball, Seongbuk Cultural Foundation, Seoul, Korea2019 Phantasmagoria, Seoul City Hall Sky Plaza Gallery, Seoul, Korea2016 Paper Moon, Pyeongchon Arts Hall, Anyang, Korea2016 Personal Theater, I-GONG Alternative Visual Culture Factory, Seoul, Korea2016 A Sudden Ecstasy, Gallery Space 22, Seoul, Korea2013 Song of Green Mountain, Pyeongchon Arts Hall, Anyang, Korea2013 Night and Day, Kwanhoon Gallery, Seoul, Korea Selected Group Exhibitions2025 CYFEST 16: Archive of Feelings \u2013 A Journey, Centro de Cultura Digital, Mexico City, Mexico2025 Self Portrait, FemLink-Art, L\u00c1 Art Museum, Hverager\u00f0i, Iceland2024 CYFEST 16: Archive of Feelings \u2013 A Journey, Yerevan, Armenia2024 Zero-Compromise, Artnoid178, Seoul, Korea2024 Magic, L\u00c1 Art Museum, Hverager\u00f0i, Iceland2024 Naked Island, VIDEOFORMES Festival, Clermont-Ferrand, France2023 Turn Together on the Waterway, Yeonorang Seonyeo Park, Pohang Cultural Foundation, Pohang, Korea2023 Equilibrium, Palbok Art Factory, Jeonju, Korea2023 Summer Love, Ghasong Art Award Exhibition, Insa Art Center, Seoul, Korea2023 Chance to Meet Unexpected Encounters, Palbok Art Factory, Jeonju, Korea2022 Escape from the Earth, Feminism Art Festival, Jeonju, Korea2022 Log-in, Palbok Art Factory, Jeonju, Korea2021 4 PM \u2013 The Mystery of One Day, Bunker A, Seoul, Korea2021 Artrification, Space On, Seoul, Korea2021 The 6th New Artist Exhibition, POSCO Art Museum, Seoul, Korea2020 First Adventure: Fl\u00e2neur on Sunset, Sejong Tower, Sejong, Korea2020 UPCLOSE, M Contemporary, Seoul, Korea2020 ON TACT 2020, Gyeonggi Sangsang Campus, Suwon, Korea2020 Art Gyeonggi \u00d7 Art Road 77, Heyri… <\/p>\n

Continue Reading<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"blocksy_meta":[],"featured_image_urls":{"full":"","thumbnail":"","medium":"","medium_large":"","large":"","1536x1536":"","2048x2048":""},"post_excerpt_stackable":"

Heejeong JeongKorean media artist exploring landscape, memory, and the relationship between place and lived experience through video, photography, installation, and walking-based research. grinnavi@naver.com EducationM.F.A. in Digital Media Design, Hongik University, International Design School for Advanced Studies (IDAS), Seoul, Korea, 2008Multimedia Program, Kaywon School of Art & Design, Uiwang, Korea, 2000B.F.A. in Fine Arts, Jeonju University, Jeonju, Korea, 1998 Solo Exhibitions2024 Song of the Wind, Space 1986 Multibunker, Gyeonggi Sangsang Campus, Suwon, Korea2021 Blindscape, Gosaek Newseum, Suwon, Korea2021 The Real Grows Like a Snowball, Seongbuk Cultural Foundation, Seoul, Korea2019 Phantasmagoria, Seoul City Hall Sky Plaza Gallery, Seoul, Korea2016 Paper Moon, Pyeongchon…<\/p>\n","category_list":"","author_info":{"name":"momo","url":"https:\/\/heejeongjeong.com\/?author=1"},"comments_num":"0 comments","_links":{"self":[{"href":"https:\/\/heejeongjeong.com\/index.php?rest_route=\/wp\/v2\/pages\/267"}],"collection":[{"href":"https:\/\/heejeongjeong.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/heejeongjeong.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/heejeongjeong.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/heejeongjeong.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=267"}],"version-history":[{"count":63,"href":"https:\/\/heejeongjeong.com\/index.php?rest_route=\/wp\/v2\/pages\/267\/revisions"}],"predecessor-version":[{"id":1900,"href":"https:\/\/heejeongjeong.com\/index.php?rest_route=\/wp\/v2\/pages\/267\/revisions\/1900"}],"wp:attachment":[{"href":"https:\/\/heejeongjeong.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=267"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}