{"id":778,"date":"2024-03-10T11:56:23","date_gmt":"2024-03-10T02:56:23","guid":{"rendered":"https:\/\/heejeongjeong.com\/?page_id=778"},"modified":"2026-07-04T15:15:52","modified_gmt":"2026-07-04T06:15:52","slug":"interview-article","status":"publish","type":"page","link":"https:\/\/heejeongjeong.com\/?page_id=778","title":{"rendered":"Interview &amp; Article"},"content":{"rendered":"\n<p style=\"padding-right:var(--wp--preset--spacing--40);padding-left:var(--wp--preset--spacing--40);font-size:clamp(14px, 0.875rem + ((1vw - 3.2px) * 0.234), 17px);\"><strong>Interview &amp; Article<\/strong><\/p>\n\n\n\n<ul>\n<li><a href=\"https:\/\/heejeongjeong.com\/?page_id=1829\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>2026 | [Industry] NewImages Festival Industry Days, Paris, France<\/strong> <em>Selected through the Art Korea Lab Global Distribution Support Program<\/em><br><strong>2026 | [\uc0b0\uc5c5 \ud50c\ub7ab\ud3fc] \ub274\uc774\ubbf8\uc9c0 \ud398\uc2a4\ud2f0\ubc8c \uc778\ub354\uc2a4\ud2b8\ub9ac \ub370\uc774\uc988, \ud30c\ub9ac, \ud504\ub791\uc2a4<\/strong><em> \uc544\ud2b8\ucf54\ub9ac\uc544\ub7a9 \uae00\ub85c\ubc8c \uc720\ud1b5\uc9c0\uc6d0 \ud504\ub85c\uadf8\ub7a8 \uc120\uc815\u00b7\ucc38\uc5ec<\/em><\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/heejeongjeong.com\/?p=1795\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>2025 | [Review] Yoonjin Kim, <em>Visualizing Invisible Boundaries<\/em><\/strong><br><strong>2025 | [\ube44\ud3c9] \uae40\uc724\uc9c4, \u300c\ubcf4\uc774\uc9c0 \uc54a\ub294 \uacbd\uacc4\ub97c \uac00\uc2dc\ud654\ud558\uae30\u300d<\/strong>, 2025<\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/heejeongjeong.com\/?p=1815\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>2025 | [Review] Jean-Paul Fargier, <em>Naked Island<\/em><\/strong><br><strong>2025 | [\ub9ac\ubdf0] \uc7a5\ud3f4 \ud30c\ub974\uc9c0\uc5d0, \u300cNaked Island\u300d<\/strong><\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/heejeongjeong.com\/?p=799\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>2024 | [Review] Hogyeong Moon, <em>Under Construction<\/em><\/strong><br><strong>2024 | [\ube44\ud3c9] \ubb38\ud638\uacbd, \u300c\uacf5\uc0ac \uc911 (Under Construction)\u300d<\/strong><\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/heejeongjeong.com\/?p=796\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>2024 | [Interview] <em>Your Day and Night<\/em><\/strong><br><strong>2024 | [\uc778\ud130\ubdf0] \u300c\ub2f9\uc2e0\uc758 \ub0ae\uacfc \ubc24\u300d<\/strong><\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/heejeongjeong.com\/?p=783\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>2022 | [Artist&#8217;s Note] <em>Rhythmic Landscape<\/em><\/strong><br><strong>2022 | [\uc791\uac00\ub178\ud2b8] \u300c\ub9ac\ub4ec\ud48d\uacbd\u300d<\/strong><\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/heejeongjeong.com\/?p=786\" data-type=\"link\" data-id=\"https:\/\/heejeongjeong.com\/?p=786\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>2022 | [Review] Jinsil Lee, <em>An Old House, Unfamiliar Landscapes, and Questions of a Refrain<\/em><\/strong><br><strong>2022 | [\ube44\ud3c9] \uc774\uc9c4\uc2e4, \u300c\uc624\ub798\ub41c \uc9d1, \ub0af\uc120 \ud48d\uacbd, \uadf8\ub9ac\uace0 \ub3cc\ub9bc\ub178\ub798\uc5d0 \uad00\ud55c \ubb3c\uc74c\ub4e4\u300d<\/strong><\/a><\/li>\n\n\n\n<li><strong><a href=\"https:\/\/heejeongjeong.com\/?p=1806\" target=\"_blank\" rel=\"noreferrer noopener\">2022 | [Artist Talk] Palbok Art Factory Residency<br>2022 | [\uc791\uac00 \uc18c\uac1c] \ud314\ubcf5\uc608\uc220\uacf5\uc7a5 \ub808\uc9c0\ub358\uc2dc<\/a><\/strong><\/li>\n\n\n\n<li><a href=\"https:\/\/heejeongjeong.com\/?p=1282\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>2022 | [Essay] Heejeong Jeong, <em>Blind Landscape<\/em><\/strong><br><strong>2022 | [\uc5d0\uc138\uc774] \uc815\ud76c\uc815, \u300c\ub208\uba3c \ud48d\uacbd\u300d<\/strong><\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/heejeongjeong.com\/?p=888\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>2019 | [Review] Sunryeong Cho, <em>Phantasmagoria: The Viscera of the World<\/em><\/strong><br><strong>2019 | [\ube44\ud3c9] \uc870\uc120\ub839, \u300c\ud658\ub4f1\uc0c1(Phantasmagoria), \uc138\uacc4\uc758 \ub0b4\uc7a5\u300d<\/strong><\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/heejeongjeong.com\/?p=1023\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>2018 | [Review] Sowon Kim, <em>A Bizarre Scene<\/em><\/strong><br><strong>2018 | [\ube44\ud3c9] \uae40\uc18c\uc6d0, \u300c\uc131\ubd81\uc608\uc220\ub3d9.N \uc791\uac00\uacf5\ubaa8 \u300a\uc5c6\ub294 \ud48d\uacbd A Bizarre Scene\u300b\u5c55\u300d<\/strong><\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/heejeongjeong.com\/?p=1272\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>2018 | [Interview] Artist Talk: <em>A Bizarre Scene<\/em><\/strong><br><strong>2018 | [\uc778\ud130\ubdf0] \u300c\uc5c6\ub294 \ud48d\uacbd A Bizarre Scene\u300d \uc544\ud2f0\uc2a4\ud2b8 \ud1a0\ud06c<\/strong><\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/heejeongjeong.com\/?p=1256\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>2016 | [Review] Jongeun Lim, <em>On Personal Theater<\/em><\/strong><br><strong>2016 | [\ube44\ud3c9] \uc784\uc885\uc740, \u300c\u3008\uac1c\uc778\uadf9\uc7a5\u3009\uc5d0 \ub300\ud55c \uc18c\uace0\u300d<\/strong><\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/heejeongjeong.com\/?p=1275\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>2016 | [Curatorial Essay] Jangyeonho Kim, <em>Personal Theater<\/em><\/strong><br><strong>2016 | [\uae30\ud68d] \uae40\uc7a5\uc5f0\ud638, \u300c\u3008\uac1c\uc778\uadf9\uc7a5\u3009\u300d<\/strong><\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/heejeongjeong.com\/?p=909\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>2015 | [Review] Soyeon Ahn, <em>A Gaze Traversing Impossible Landscapes<\/em><\/strong><br><strong>2015 | [\ube44\ud3c9] \uc548\uc18c\uc5f0, \u300c\ubd88\uac00\ub2a5\ud55c \ud48d\uacbd \uc18d\uc744 \uac00\ub85c\uc9c0\ub974\ub294 \uc2dc\uc120\u300d<\/strong><\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/heejeongjeong.com\/?p=1029\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>2015 | [Artist&#8217;s Note] <em>Landscape: The Face of the Wind<\/em> (Gyeonggi Museum of Modern Art)<\/strong><br><strong>2015 | [\uc791\uac00\ub178\ud2b8] \u300c\ud48d\uacbd \u98a8\u666f\u2013\ubc14\ub78c\uc758 \uc5bc\uad74\u300d (\uacbd\uae30\ub3c4\ubbf8\uc220\uad00 \uc0dd\uc0dd\ud654\ud654)<\/strong><\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/heejeongjeong.com\/?p=1032\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>2013 | [Review] Sunryeong Cho, <em>Breathing, or Hiding, in a World Without Gaps<\/em><\/strong><br><strong>2013 | [\ube44\ud3c9] \uc870\uc120\ub839, \u300c\uacf5\ubc31 \uc5c6\ub294 \uc138\uacc4\uc5d0\uc11c \uc228\uc26c\uae30 \ud639\uc740 \uc228\uae30\u300d<\/strong><\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/heejeongjeong.com\/?p=1144\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>2013 | [Review] Gwangje Cho, <em>The Art of Heejeong Jeong&#8217;s &#8216;Photo-Abjection&#8217;<\/em><\/strong><br><strong>2013 | [\ube44\ud3c9] \uc870\uad11\uc81c, \u300c\uc815\ud76c\uc815\uc758 \u2018\ud3ec\ud1a0-\uc544\ube0c\uc81d\uc2dc\uc639\u2019\uc758 \uc608\uc220 \uc138\uacc4\u300d<\/strong>, 2013<\/a><\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Interview &amp; Article<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"blocksy_meta":[],"featured_image_urls":{"full":"","thumbnail":"","medium":"","medium_large":"","large":"","1536x1536":"","2048x2048":""},"post_excerpt_stackable":"<p>Interview &amp; Article 2026 | [Industry] NewImages Festival Industry Days, Paris, France Selected through the Art Korea Lab Global Distribution Support Program2026 | [\uc0b0\uc5c5 \ud50c\ub7ab\ud3fc] \ub274\uc774\ubbf8\uc9c0 \ud398\uc2a4\ud2f0\ubc8c \uc778\ub354\uc2a4\ud2b8\ub9ac \ub370\uc774\uc988, \ud30c\ub9ac, \ud504\ub791\uc2a4 \uc544\ud2b8\ucf54\ub9ac\uc544\ub7a9 \uae00\ub85c\ubc8c \uc720\ud1b5\uc9c0\uc6d0 \ud504\ub85c\uadf8\ub7a8 \uc120\uc815\u00b7\ucc38\uc5ec 2025 | [Review] Yoonjin Kim, Visualizing Invisible Boundaries2025 | [\ube44\ud3c9] \uae40\uc724\uc9c4, \u300c\ubcf4\uc774\uc9c0 \uc54a\ub294 \uacbd\uacc4\ub97c \uac00\uc2dc\ud654\ud558\uae30\u300d, 2025 2025 | [Review] Jean-Paul Fargier, Naked Island2025 | [\ub9ac\ubdf0] \uc7a5\ud3f4 \ud30c\ub974\uc9c0\uc5d0, \u300cNaked Island\u300d 2024 | [Review] Hogyeong Moon, Under Construction2024 | [\ube44\ud3c9] \ubb38\ud638\uacbd, \u300c\uacf5\uc0ac \uc911 (Under Construction)\u300d 2024 | [Interview] Your Day and Night2024 | [\uc778\ud130\ubdf0] \u300c\ub2f9\uc2e0\uc758 \ub0ae\uacfc \ubc24\u300d 2022 | [Artist&#8217;s Note] Rhythmic Landscape2022 | [\uc791\uac00\ub178\ud2b8] \u300c\ub9ac\ub4ec\ud48d\uacbd\u300d&hellip;<\/p>\n","category_list":"","author_info":{"name":"momo","url":"https:\/\/heejeongjeong.com\/?author=1"},"comments_num":"0 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